On they go, conjuring woozy descents as though sucking the audience through portals. Lord Abore and Mary Flynn is a highlight, Cormac MacDiarmada’s voice a revelation live as well as on record. Following that, the transition starts, the gig pockmarked by maelstroms of transportive fugue noise, spells that reappear throughout the gig, as notes and sounds are pulled like gnarly, deep roots. “Get up, yiz bowsies,” someone roars when they enter into The Rocky Road to Dublin. “Finally back in the only place that really understands us,” Ian Lynch announces.Īs The New York Trader arrives, the tension they build and tear apart – that taut, fraying rope they both pull and slip along – remains. There is something about the frequency of tone, drone and pitch Lankum operate within that unlocks tension within the body and demands going with whatever follows. Expectations for its live rendering are high. Their latest album, False Lankum, is a remarkable piece of art, one that has enraptured listeners. Callahan (Moe Dunford) has just finished his prison sentence for the murder of his. This debut feature from the Tohill Brothers will no doubt prove to be one of the year’s strongest Irish releases, a downbeat but canny mix of thriller and western tropes. Following Elaine Malone’s compelling support set, Lankum arrive on stage as titans, yet wearing the weight of their talent feather-light. This film was released on Friday 26th April 2019 and is no longer screening. Inside, the energy of a full crowd is heightening. The film was screened at the Toronto International Film Festival and was produced by Brian J Falconer for northern Irish firm 'Out of Orbit'.
Outside it’s still bright and hot, but the streets of Dublin are quiet. The Dig is a 2018 Irish drama film directed by Andy Tohill and Ryan Tohill, from a screenplay by Stuart Drennan. In the Liberties on Monday night, Vicar Street is packed to the rafters. The Dig is a 2021 British drama film directed by Simon Stone, based on the 2007 novel of the same name by John Preston, which reimagines the events of the.
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